Bengaluru (Karnataka) [India], June 01: Protests erupted in Bengaluru on Sunday as members of the Karnataka Rakshana Vedike attempted to lay siege to the Victory Cinema Theatre in Kamakshipalya, demanding a ban on the release of Kamal Haasan’s upcoming film ‘Thug Life’. The organization alleged that the veteran actor made derogatory remarks about the Kannada language.
The protests were sparked by a statement Haasan reportedly made during a promotional event in Chennai, claiming “Kannada is born out of Tamil.” The comment drew sharp criticism from Kannada language activists, political leaders, and film bodies in Karnataka.
Praveen Shetty, a representative of the Karnataka Rakshana Vedike, said,
“Kamal Haasan has spoken against the Kannada language. We will not allow Kamal Haasan’s film to be released in Karnataka. If it is released, the government will be responsible for any untoward incidents.”
Following the uproar, the Karnataka Film Chamber of Commerce (KFCC) officially announced a ban on the release of ‘Thug Life’ in Karnataka. KFCC spokesperson Sa Ra Govindu expressed solidarity with the protesting Kannada organisations, stating:
“Kamal Haasan has not apologised for hurting the sentiments of Kannada people. Until he issues a public apology, the film will not be allowed to release in Karnataka.”
Meanwhile, Karnataka Chief Minister Siddaramaiah responded to the controversy, saying:
“Kannada has a long-standing history. Poor Kamal Haasan, he is unaware of it.”
Addressing the backlash outside the DMK headquarters in Chennai, Haasan said he stands by the values of democracy and justice.
“My love for Karnataka, Andhra Pradesh, and Kerala is true. Nobody will suspect it except those with an agenda. If I am wrong, I will apologise. If I’m not, I won’t.”
‘Thug Life’, directed by Mani Ratnam, marks another collaboration between Haasan and the iconic filmmaker. The film also stars Trisha Krishnan and Silambarasan TR in key roles.
With protests intensifying and no apology forthcoming, the film’s Karnataka release remains uncertain. The issue underscores ongoing regional sensitivities around language identity and the influential role of cinema in shaping cultural discourse.